Robert Rauschenberg
Factum I and Factum II, 1957.
Discovered in Stockholm Art Museum, I was generally impressed and interested in his work. I felt in his "combines" a very complex and dense language. But the most impressive were those twins: Factum I and II. He made them in order to show, clearly, that what he's doing is not just about impulse, but that we must consider how it's deeply thought, clearly set-up. I think that the demonstration is great, moreover to be a very balanced composition.
